Tuesday, May 7th, 2013RISD Graduate Thesis Exhibition 2013

 

Thesis 2013

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dear Friends and Family,

Hope you all are well and are having a good year!

This spring I am receiving my Master’s Degree from Rhode Island School of Design.  As part of my Graduate Thesis I am participating in a group exhibition at the Rhode Island Convention Center in Providence.  The exhibition itself is a pretty amazing feat, featuring the work of 194 graduate students in both the Fine Arts and Design disciplines.  I know this will be a spectacular show!

RISD Grad Show 2013
The opening reception is May 16th from 6-8pm.  The exhibition will be up through June 1st and will be open daily from 12:00-5:00pm.  The Rhode Island Convention Center is located at 1 Sabin Street, Providence, RI.  For further information visit the link above.

To get a closer look at some of the work I have made over the last two years visit my online portfolio.

Also, check out this website that myself and my peers in the Painting Department put together to showcase our work.  I feel very lucky to work along side of these terrific artists.

If you find yourself in New England stop by and check out the exhibition.  Also, stay tuned for two more exhibitions that I am participating in this summer in New York City.

 

Friday, July 13th, 2012Two Become One Exhibition

July 15 – August 5

Opening Reception: Sunday, July 15, 6-9 pm

An Opening Reception for Two Become One will be held July 15th from 6pm-9pm, and the work will be on display until August 5th.

Two Become One is a group exhibition from the RISD MFA program in Painting being exhibited at Wayfarers, Brooklyn. Nine artists have been gathered to present the textured landscape that snakes up and down the 2nd and 3rd floor stairwells of 62 Prospect Street in Providence.

The show opens with a wall-sized video projection of a landscape folding in upon itself by Lauren Comito. The immediate sensation is similar to what one imagines it would have been like to sit in the front row during the famous “stargate sequence” that ends Stanley Kubrick’s 2001: A Space Odyssey. As the collision fades, five clones of artist and celebrity impersonator Claudia Bitran emerge, and without backing music, provide a hypnotic serenade drawing you further into the dark.

Much of the work feels site-specific like that of Rachel Grobstein, Zach Seeger and Joe Bochynski. Bochynski has cut a hole in the whispering wall and embedded a digital parasite that draws its power from the gallery wiring. Grobstein lights a delicate mirage of paper tricycles that have been swept into a corner like a tumbleweed. Seeger’s richly decorated canvases are broken and bound together making figures that remind one of the battered scarecrows of the original Planet of the Apes, which stand just at the edge of the Forbidden Zone.

The painting of Taniya Vaidya is being dissected alongside the mechanically liquid surfaces of Wally Dion. Both artists listen intently as their mediums and surfaces react to each other. Vaidaya’s ink patterns bleed into fabric an organic logic of its own. A fact which she credits to the fabric graciously, with a smile. Meanwhile, Dion is interested abstracting his own direct contribution so much that he’s recently begun experimenting with simple machines, which he hopes, one day, produce their own signature forms.

All of the artists in the show push their subjects through an array of displays to produce entire systems of image making. They document these systems and display them in their studios to visually quantify and further prove their methods. The paintings and video of J.J. Frioux, illustrate how subjects such as landscape and identity can be mutated by such a process. As you exit, the wooden space created for Doug Burns displays the byproducts of experiments. Burns practices spontaneous collage and improvisation while restricting himself to a very limited palette of materials. He is waiting for a mythology to emerge.

What does emerge from Two become One are distinct patterns of process and material. “In an emergent system complexity can arise out of a multiplicity of relatively simple interactions.”

Two becomes One was curated by Wayfarers’ board members Joshua R. Edwards and Jesse James Arnold. Special thanks to Zach Seeger, whose breakfast burritos changed our lives.

Monday, July 2nd, 2012Scenic Routes at Molloy College

Sunday, July 1st, 2012Exhibition Photos

Sunday, April 29th, 2012Spring 2012 Midterm

Sunday, January 29th, 2012Google Project

Tuesday, January 3rd, 2012Two figures: Outer space, Fire, Cotton Candy,

Tuesday, January 3rd, 2012Two figures: Tequila Sunrise, Blood work, Asphalt

Tuesday, January 3rd, 2012My thoughts on CMYK…

Tuesday, January 3rd, 2012Screen Prints!!!

Saturday, November 26th, 2011Midterms…

Saturday, November 26th, 2011Midterms…

Sunday, April 3rd, 2011Brace yourself

Thursday, March 10th, 2011the odd couple

Thursday, March 10th, 2011

Thursday, March 10th, 2011more collage…

Thursday, March 10th, 2011Collage…

Thursday, March 10th, 2011Works in progress… Some where in space

Thursday, September 9th, 2010Suburban Garden

Tuesday, September 7th, 2010To the Suburbs of New York…..

Friday, August 20th, 2010From the Mountains of the Adirondacks….

Tuesday, March 2nd, 2010Who But…. A Recent Exhibition at The Sweatshop

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Check out this interview with curators Lauren Comito and Dorian Dean interviewing the artist, C.W. Brooks. (click on the link below)

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Friday, January 15th, 2010Opening this Saturday: Things We’ve Made Since September

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The Opening Reception is this Saturday January 16th at 4:00pm. This exhibition is curated by Gabrielle Lavin and features the talents of 17 local Philadelphia artists.

Thursday, December 3rd, 2009Material Impact

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Wednesday, November 11th, 2009Carry Your Own Weight

Carry Your Own Weight from Lauren Comito on Vimeo.

Wednesday, November 11th, 2009Upcoming Show

I have a show coming up in December! The stop-motion animation piece above will be shown at University of Delaware’s Gallery at the Crane (UD Crane). Check back later for details. The opening reception will be on December 10th.

Friday, October 16th, 2009Recent Stop-Motion Animations

the unavoidable from Lauren Comito on Vimeo.

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Carry Your Own Weight, still from animation video

Stop-Motion Animations

Go to the link above and check out two animations that I have been working on for the last few months.

Monday, October 5th, 2009The Sweatshop: Labors of Love

The Sweatshop: Nick Balko, Megan Bartley-Matthews, Lauren Comito, Gabrielle Lavin, Melissa Nannen, Anthony Vega

Our gallery space is up and running! Take note of the crown modeling and our big pink door in “blushing piglet.” This is the first of seven shows to be exhibited in the next year.  Each member of the Sweatshop will get a chance to curate a show in this space.  Be sure to check back for upcoming events!

Friday, October 2nd, 2009Tour Studios East of Broad Street this Weekend!

generalpostheader_color_forweb My studio is participating in POST (Philadelphia Open Studio Tours).  This free opened tour runs this weekend, October 3rd and 4th from 12:00 to 6:00pm. The studio is called The Sweatshop, which is located in the Richmond Mills building in Port Richmond.  The address is 3237 Amber St, Philadelphia. My studio is located on the 4th floor of the South Building (look for the big pink door). This is a really terrific building that is home to many local artists. Come visit us and our brand new gallery space!


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Friday, October 2nd, 2009The Trends of City Sprawl: A Site Specific Installation

by: Lauren Comito & Megan Bartley-Matthews

September 4th to October 31st, 2009

University Arts League, 4226 Spruce St., Philadelphia, PA
Open to the Public: Mon to Thurs from 12-8pm, Fri from 12-7pm, Sat & Sun by appointment only. Contact 215-382-7811 or infor@ucartsleague.org

The Trends of City Sprawl is an on-going and interactive work between 2 members of The Sweatshop, an artist community space in Port Richmond. This onsite installation is in conjunction with POST and The Fringe Festival. This piece is made out of an intricate web of recycled fabric scraps that have been accumulated over the last year. The networking of fabric clings to the architecture like an invasive vine, thriving on the infrastructure of the building. Everyone is encouraged to bring someone of his or her own to add to the piece.